![]() However, as soon as you pass that first-year threshold, Premiere starts to become expensive. Alternatively, you could subscribe to the entire line of Adobe apps for $599.88, prepaid (the other models are also available for the all-apps package).Īt face value, Premiere (for the year) is $60 cheaper than Resolve, and initially, it may seem like the better choice. If you’re only after Premiere Pro, you could subscribe to the service for a year for $239.88 - $12 cheaper than paying each month, and $137.52 cheaper than paying for the month-to-month at $31.49, which adds up $377.40 for the year. Typically, there are three subscription models: Meaning you can’t make a one-and-done purchase to keep the software for however long you like. You can order a 12.5 studio version dongle and still install Resolve 16.Īdobe, on the other hand, only offers subscription services for their software. Whether you buy the activation card or dongle from a retailer, or purchase a spare copy from eBay, it’s a one-off purchase. However, look at it from the perspective that, after Resolve, it’s only $996. ![]() We’ve already established that the studio version costs $299, but it’s also free when you buy one of Blackmagic’s many cameras. ![]() If, at some point, you do need access to the studio features, you can always purchase the software. And you can download several real grain overlays from our handy guide here. Who’s going to need group editing for a YouTube upload? Or HDR color grading for your travel vlog? Film grain? Well, it’s not that good anyway, as I demonstrated in my write-up here. When we look at the premium features, you can see that it’s unlikely that (unless you’re on a high-profile job) you’ll actually need these features. So, what are the features in the studio version? You can access 99.9 percent of the software’s features. “But doesn’t Resolve cost $299?” Yes, there’s a paid studio version, but the free version is entirely unrestrained, bar a few plug-ins and professional features. The worst case is when it seems like the company has given you complete software freedom for the trial period, but when you export the video file, there’s a watermark splashed across the center of the image. Or you can import and work on a 4K timeline but you can only deliver in 1080p - and to use these features, you must buy the product. ![]() Usually, it’s something like you can edit a fifteen-minute clip, but you can only export five minutes. When you hear that something is free, especially software, you know there’s a catch. Instead, over the course of several articles, I want to focus on how DaVinci Resolve and Premiere Pro affect the user. All that appears in every comparison article, and honestly, Zebra Zone spectacularly covers all of that information in the following video. In approaching this showdown, I didn’t want to focus on the standard comparisons between the two nonlinear editors - such as how the edit tools perform, the responsiveness of the editing, media support, and so on. Come 2019, however, and Resolve is undoubtedly ready to step into the ring with Premiere - and it may even walk away a winner. If you read that headline four years ago, it would’ve been easy to assume that I have no idea what I’m talking about - or that this was a paid promotion. In this showdown, we look at how these two powerhouse programs affect the user, specifically in regards to how much each program costs.
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